The poetic genre I love
When earth shakes, do snakes escape from its mouth, while all roots unroot from the soil? — how can I, the author of this sentence, be surprised by what I’ve written on my own… is it my natural ability to observe from another’s perception that brings me to that conclusion, or perhaps, let us be a little insane, odd, and whimsical, and let us say that it was a presence, the muse, that murmured it to my right ear.
A crack, an opening, the underground, catacombs — yes, I write semi-automatically, plunged emotionally inside the subconscious lagoon of my core. My poems are literal, where I let whatever wants to sprout out be — I just kind of express myself unconsciously. The moment I have a subject in mind — no matter what the subject might be, I go for it; I let my creativity take full possession of my being.
Should I say that I write while accessing my Random Access Memory, I don’t know! But what I do know on the other hand, is that when I write a poem, I completely abandon myself to my needs for art, and where the finished product needs to trigger the emotion of astonishment and puzzlement inside of me, like, is it really me that has written that oddity! Else, everything needs to be rewritten, for I am unsatisfied. I like to be the reader behind the eyes that has written the work, same as I would have read any other writings. I am out of my mind when I write, but back into the shell when drafting.
The seascape joins the shorelines, giving birth to an oneiric landscape – Literal, figurative, metaphorical — these are the main adjectives that I want my creative works to be described as, and where I try my best to construct my texts in the best possible way as I want them to be, and as well as I like them, always remembering the feelings felt when reading works written by other authors, whether good or bad.
When I write poems, I want the world to flow through me, for the world is a mystery, an everfloating debris of emotions. Thus, I want to write poems about everything that the world holds, wanting to be the medium through which the hatred, violence, love, romance, death, happiness, sadness, and all these emotions that have been given away to life (entity to me) incarnate themselves through the poetry I write.
Yesterday my husband and I we were discussing about a peculiar movie we like, and where both of us had different thoughts concerning the enigmatic ending of the movie, which I do think was a literal and poetic ending, opened to every kind of interpretation, the beauty of creative work. That’s when I realized that my poems too, or any other poems, could also be interpreted differently by the various type of readers, because precisely I write poems figuratively. But that’s my playground of interest — the metaphors, the flowery, the fanciful, the surreal, that’s how I fell in love with poetry, always, and that’s the degree of aesthetic that I thrive to ornate my poems with, so that readers that are fond of that genre of poetry might gain the ultimate satisfaction — at least I try to.
Being what I am, I am unable to write essays or any other serious subjects passionately, without getting bored… too detailed and prosaic for me, and where I have enormous respect for those that write these kind of intellectual articles meant for informational and educational purposes… not meant to tickle the fancy of readers, but where I would have been more than happy to have my poems being deconstructed by one of those literary critics, those thirsty for the psychology and logic behind literature. What would be the finds, the adjective of qualifications to describe what and how I write — dark, depressive, illogical, confusing, or else, I don’t know; puzzling and mystical, that’s what I would though.
Else, would I be criticized for appropriating the experience and life of others — a life snatcher, when all I ever do is trying to write with these emotions, calling them from the depth of my subconscious, drawing the ideas and inspiration from the well of my mind, and interconnecting and intertwining my own experience to that of the collective consciousness, the web of life.
Do my poems echo back emotions, the creation that’s voiceless, yet veiled with imagination? Are they movie projectors where the films display bits and pieces of what my imagination holds, though literal and surreal? Or, are the poems I write same as in dissection of a poem, a poem where elements of my own experiences sneak silently within the construction of the poetry I write. In the end, I just hope, and do my best, so that these poems I write are as literal, metaphorical, and as aesthetically pleasing to the reader’s mind, same as much as I have been conquered by this poetic genre.